All said and done, Chehre could’ve easily been recognised as a film coming from the school of movies like Aamir, Table No 21, Pink, Badla and even Article 15 (to some extent, but its structure lacks two major things all of the above films had – ‘a good second & third act’. A good yet misdirected attempt!
Chehre aims to make a social commentary on the state of criminal justice in India. The idea at the outset is interesting, but it stops at just that. The film turns out to be a preposterous courtroom drama that feels longer than any longest-running lawsuit.
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